Wednesday, July 28, 2010


Literary Sampler: a potpourri of stories and first chapters

When my publisher approached me about doing a free eBook, at first I balked. I was happily ensconced in my latest book, and wallowed in the creative rush every day. That particular aspect of being an author is by far my favorite. I'm swept away in my parallel universe and was happily hunting down bad guys in the Adirondack Mountains when the request came in.

What? A free eBook? I'd heard about them and had actually downloaded a number of them before, but hadn't really thought it would be in my future. 

I was wrong.

Three authors from Twilight Times Books collaborated on this effort, which became an amalgam of first chapters and short stories. Anne K. Edwards, author of many mysteries and children's books, and Mayra Calvani, a multi-genre author, were my cohorts in this project. Anne agreed to pull together the first version of the book, and I took it over after that to design a cover, insert cover art and author photo graphics, and to add links for purchases and other resources. 

When we finished, our publisher did her magic on it to turn it into a 1Meg pdf file. After that, we were on our own. But one of the incredible side effects that I hadn't even considered was the exploding ability for us to use THREE major networks to promote our work together. The symbiotic nature of this effort is huge. Each of us are veteran networkers and promoters. Each has massive lists of readers and fans. And with all three of us promoting at the same time, our book reached three times as many potential readers. 

Of course we're doing this to sell books. But the cool part is, we're also giving away something of value. All of the short stories offered within are fun and free. And that's a good thing!

We named our little book Literary Sampler: a potpourri of stories and first chapters, and you can download it by clicking on the link, the photo below, or going to www.legardemysteries.com/freestuff.htm. 

We'd love to hear back from our readers. Did you enjoy the stories? Did the first chapters or excerpts entice you? Did you like our cover art? Please email aaron.lazar@yahoo.com with comments and I'll forward your words to Anne and Mayra, as well. On parting, remember to take pleasure in the little things, and write like the wind!



DOUBLE FORTE' (2004)
UPSTAGED (2005)
TREMOLO: CRY OF THE LOON (2007)
MAZURKA (2009)
FIRESONG (2010)  

HEALEY'S CAVE (2010)
ONE POTATO, BLUE POTATO (2011)

Preditors&Editors Top 10 Finalist  *   Yolanda Renee's Top Ten Books 2008   *  MYSHELF Top Ten Reads 2008  * Writers' Digest Top 101 Website Award 2009 & 2010

www.legardemysteries.com
www.mooremysteries.com
www.murderby4.blogspot.com
www.aaronlazar.blogspot.com

.


- Aaron Paul Lazar



Sunday, July 25, 2010

Hi, folks.

For the past two weekends I've been either driving to or from our favorite rental cottage in the Adirondacks, so I apologize for being so quiet. We had a glorious week doing nothing. Well, not really nothing. I wrote 20,000 words in my newest mystery, read three great books, waded and floated in the river, cooked gourmet meals for me and my honey every night, and sat beside her at the river's edge for hours per day. Sometimes with coffee, sometimes with wine. Sometimes holding hands. Heh. Yep.

The whole week was incredibly restful, and I really liked no going anywhere, just communing with nature, my wife, and my muse. Perfect.

Anyway, since I don't have a writing article to share with you today, I thought I'd share some writing.

Imagine that?

Here's a short story I wrote for a contest (I didn't win, sob). Well, maybe it's because I usually don't DO short stories. I'm really a novel kind of guy.

Take that anyway you want. Ha.

- Aaron Paul Lazar



Resurrection

Red Cloud

He woke on a secluded grassy riverbank to the sound of water lapping the shore. Like colorful smelling salts, the sharp scent of oil paints woke him. He stood, brushing bits of grass and leaves from unfamiliar clothing. On his legs, rough woven fabric. On his feet, clumsy black shoes. His shirt billowed in the cold breeze, covered with smears of cobalt, green, and yellow ochre. With a start, he realized it was a white man’s artist smock.

Across the river, a setting sun winked on windows and gilded thatched roofs at the water’s edge. Noise from the shore drifted toward him in lazy snatches of conversation and bubbles of children’s laughter. The language was unfamiliar. Perhaps French? He’d heard some of these words in the hallways of the White House during his many visits to the Capitol.

Chimneys puffed thick blue spirals into the air, coloring the horizon with smudges of indigo, champagne pink, and soft orange. Before him stood an easel with a partially finished painting. Brushes lay strewn in the grass. Soft wet paint lay in globs on the palette he must have dropped when he passed out.

When I passed out? What happened?

He scrubbed at his face, closed and opened his eyes. Startled, he studied his hands. Ivory skin stretched over long sinewy fingers; blue veins popped out of the back of his hand. He turned them in the waning light.

What happened to my hand? My skin? Whose fingers are moving at my command?

A chubby sparrow hopped toward him, aiming for contents spilled from a tin bucket nearby. The grass beside it was matted, as if someone had lain there, resting in the winter sun for hours, maybe days. He crouched and peeled back corners of a linen napkin enclosing thick chunks of stale bread and a wedge of cheese. Black grapes nestled in a tin dipping cup.

Sudden thirst constricted his throat. He searched for a nearby well or a pump handle. Around him, colonies of trees and shrubs dotted the grassy field. In the far distance, a pink stucco house with green shutters shimmered in the late afternoon light. Somewhere in his brain, it looked familiar, yet strange.

Too shaky to make the trek to the house, he glanced down at the water. It ran clean and clear.

He grabbed the cup and stumbled to the riverbank, kneeling on soft black dirt. With a ragged swish, he filled it with chilled water and drank greedily as if he’d been wandering lost in the Sahara. Sweet and pure, it cleansed his parched tissues.

He jumped. What was that?

The sudden murmur of a crowd in an enclosed space. The pressing of shoulders against his. The rose petal scent of a white woman’s perfume.

He dashed another cup of water against his face, then poured yet another over the back of his neck. His hair—cut short—dripped water on the black fuzz that grew from his face. He stroked the long beard, fascinated by its wiry texture. Droplets ran from it and splashed into the river with impossible rhythm, mesmerizing him in the flashes of light that swirled below.

He tore his glance away from the river and looked toward the island downstream, riveted by the wavy lines of shadows leafless trees cast in the water. Consumed now, he hurried back to the easel, grabbing the palette and brushes. A splash of transparent amber paint kissed the water next to squiggles of shadows. A touch of mint green filled the sky behind the trees. With sure fingers, he dashed colors onto the canvas as if this were his every day task, racing to beat the sun that threatened to sink before he finished.

Movement caught his attention. There! In the distance, two boats floated past the isle. He grabbed another brush and dabbed black onto the purple-gray water. A few quick strokes mimicked their wavy shadows.

He jumped. Someone, some ghostly hand, touched his fingers. Was it a spirit from beyond? Had the spirits transported him to another realm? With a shudder, he stepped back and scanned the area. No one. Not a soul for miles.

What’s happening to me?

The sun, vibrant orange now, approached the tops of straw roofs, tinting the sky with rosy hues. He refocused on the canvas and slashed brilliant tangerine strokes across the image of water to mimic the sun’s reflection.

Shivering, he watched the sun fuse with the horizon. He swore he heard ice cubes clinking in a glass, and once again jerked around, looking for the source of the noise.

Nothing. No one. A group of wild turkeys squawked to his left, hurrying into the underbrush with waggling tail feathers. The Tom sported a feather that would have graced his headdress, had he the energy to give it chase.

His stomach rumbled. He sank to the grass, set his paints aside, and lay on the flattened grass. There would be time to untangle the mystery after he rested.

***

Claude

My head thudded hard on a marble floor. Crystal chandelier prisms swam before my eyes and people in ballroom dress thronged around him in the high-ceilinged room. Paintings lined the far hallway, hanging from gold chains secured high on red satin walls. Several guests ran to my side, faces crumpled with worry.

A silver-haired lady in a long black gown patted my hand. “Red Cloud? My dear! Are you all right?”

Although I spoke little English, my brain translated the words as if I’d been born in London. I stared into eyes the color of blue cornflowers. Thin circles of icy white rimmed the iris. Although she acted concerned, the woman’s eyes registered no warmth.

With a shiver, I sat up. “I’m fine. I think.” For a moment, the scene around me blurred. My riverbank shone through in rippled windows, as if vying for space in my mind. Yet the sound of birds singing, of water lapping the shore, and of the breeze rustling in the leaves soon disappeared, to be replaced by gold filigreed mirrors, marble statues, and waiters bearing silver trays with fluted glasses of bubbling champagne.

A man in a tuxedo touched my arm. “Mr. Red Cloud? May I interest you in a glass of champagne?”

Thirstier than I ever remembered, with a tongue that stuck to the roof of my mouth like sticky cotton batting, I reached for the glass, then pulled back when I saw the hand that stretched from me. Dark copper skin covered strong fingers. Beadwork trimmed a deerskin sleeve. A string of bear claws encircled my neck, hanging low on a tunic. I grabbed for the drink again and drained it quickly, nodding to the white-haired gentleman who held my elbow and looked with concern into my eyes.

“Better?”

“Yes, thank you.” My voice growled deep and rough. Familiar, yet unfamiliar.

What in God’s name is happening?

I shuffled toward a gold leaf mirror, afraid, yet hungry to learn more. A sharp angled face returned my gaze. High cheekbones. Long glossy black hair, falling well beyond my shoulders. Prominent nose. Straight, strong mouth. Eyes that bore into mine with iron grit.

With an excited intake of breath, I stared at my reflection. God in Heaven. I’m a savage!

I turned this way and that. Pinched my arm. Real pain. I exhaled, fogging the mirror. Pride and strength flowed from my eyes.

I’d expected confusion.

“Everything okay, Red Cloud?”

With deliberately slow motions, as if I needed to concentrate on the words, I answered. “Of course, Senator.” Senator?

“Come. I wanted you to see the Monet we have on exhibit. It’s quite valuable.”

I jumped when he said my name aloud.

He led me past hordes of men in tuxedos and women draped in jewels and furs. With great ceremony, the Senator ushered me downstairs through a long narrow corridor into a room flanked by two guards who stood at attention with rifles on their shoulders.

“Here we are. It’s entitled ‘Sunset on the Seine, Winter Effect, circa 1880’.”

Circa 1880? It is precisely 1880. But I haven’t finished this yet! I couldn’t drag my eyes away from the canvas. Before me were the strokes I’d forced while I languished on the riverbank, praying for solace. Camille had given birth to my son, Michel, and shortly thereafter succumbed to cancer. Since her death a year ago, I’d been unable to paint. Unable to socialize. Unable to eat and barely able to breathe.

A horse-faced woman decorated in emeralds appeared around the corner. The Senator’s brow wrinkled.

“Yes?”

“Senator? Can you spare a moment?”

The patrician turned back to me, rolled his eyes, and touched my shoulder. “I’ll leave you with the Monet. Stay as long as you like, Chief.”

My eyes raked across the painting, taking in the bold orange of the sun’s reflections rippling on the water. The touch of green behind the trees. The pastels fogging the horizon. Pride swept through me.

***

Red Cloud

After resting, he rose and blew into his cold hands. The river had turned dark and unfriendly. Deep purple whirlpools threatened and bubbled with what had to be evil spirits. Lights flickered on the opposite shore. Cooking aromas drifted over the water, sending pangs of hunger through him. With a sudden shiver, he collected the paints, brushes, and easel, and headed for the pink stucco house in the distance.

***

Antoine

When the Master came in and set his painting by the door, I sensed something amiss. I trotted from my place at the fireplace and shoved my muzzle into his dangling hand. With a start, I backed up and growled. Something was wrong.

He crouched and held a hand out to me. “Come, boy. It’s okay.”

Slowly, I crept toward his outstretched fingers. The scent of my master mixed with an unknown smell, that of wild prairie winds and open cooking fires. I wagged my tail, slowly at first. When my master’s hand touched my ear, I capitulated. He knew just how to scrub behind my ear where it itched. Wiggling all over now, I jumped up on him and licked his face.

“Whoa! Good boy, good dog. Get down, now.”

He picked up his painting and headed for the kitchen, from whence tantalizing smells tempted me all afternoon. The roast had been simmering in the black pot, smothered in vegetables, and fresh bread baked in the Dutch oven. But something was still off—my master walked with a different gait than his usual Steady and calm, it reminded me of a wild cat padding on soft grass.

The Mistress—the new one—smiled over her shoulder at him. “Monsieur. I’ve fed the children and sent them to bed early. I know you need your quiet time after a long day of painting.”

The Master looked disappointed.

This woman, whom the Master called ‘Alice,’ was the mother of six young hooligans who played with me in the nearby fields and gardens, especially in the summertime. When the old Mistress died a year ago, Alice moved in to help with the Master’s two boys. Eight children lived in our new home, and I loved each one.

The Mistress turned to my master with a frown. “Is something wrong?”

He set his still wet painting on the sideboard and dropped into a chair, rubbing his eyes. “No. Thank you. Just tired.”

She sat beside him and took his hand. Lately, her ministrations seemed more loving, and less sisterly. “My dear Claude.” She stroked the back of his hand and looked into his eyes. “How did it go?”

He stared at his painting, and refocused on her face. “Strange. I felt as if I’ve never been in this body before, as if I don’t know where or who I am, yet I was consumed by the scene. The reflections on the water, glistening green behind the stark trees, the wavy silhouettes of the dark tree shadows…”

She looked at the painting as if a lustrous silver angel perched on the shelf, blessing her by waving his soft-feathered wings. “Oh, my.” She moved closer. “You’re back.”

He looked at his hands. “I’m not sure. Something’s wrong with me. Very wrong.”

“It will take time, Monsieur. The loss of our dear Camille will pain you for a long time. Perhaps your entire life.” Her voice cracked, as if emotion swilled beneath the surface.

He looked at her as if he didn’t understand, then sighed and pulled his chair up to the table. “Thank you. But now. Let’s eat. That much I remember.”

***

Red Cloud

He woke in his own bed, a straw mat on the floor of his wooden hut, covered in colorful woven blankets and serenaded by birdsongs. His last memory had been at the Senator’s home in DC, where he represented his tribe with dignity and honor. The thoughts that crossed his mind were instantaneous. I have returned!

Had it been a dream guided by the spirits?

He stood and stretched, his long silky black hair tickling his bare back. Running a hand across his smooth chin, his lips spread in a wide grin. Yes. Only a dream.

His hut was perched a short distance away from the village, on a bare stream bank, very unlike the river in his vision. This wide clear creek sparkled turquoise in the prairie sun, shallow in its deepest section and pure as spring rain. Orange, yellow, and crimson slate rippled beneath the water, reflecting the new day’s energy.

He stood over the water, drinking in the morning, and finally stripped and knelt on one knee to wash and quench an almost unbearable thirst. With eyes closed and hands cupped, he scooped cool fresh water into his mouth and over his face, hands, and body, scrubbing away the strangeness of the recent illusion. Letting the strong sun dry the droplets, he stood and examined his copper brown skin.

With a start, he turned his hands over to stare. There, a patch of mint green. On his thumb, a smudge of vermillion. And on his wrist, streaks of pure white. He threw back his arms and raised them to the sky, asking the Great Spirit to help him understand. A warm breeze stirred over the streambed, calming him and lifting his long hair from his shoulders. When he received no further counsel, he redressed and headed back to his campfire to cook quail eggs for breakfast, with a sudden strong urge rattling in his head.

Maybe I’ll get a dog.

***

Claude

I came awake at the breakfast table, surrounded by eight noisy children and Alice. While the exchange of one day in my life with Chief Red Cloud was a puzzle, I knew it couldn’t have been a dream. How could I have dressed and been in the middle of a scrumptious bite of strawberry peach marmalade on a warm croissant if I’d just awakened? I sipped at my dark hot chocolate and beamed at my new extended family, who squabbled and stuffed their faces with equal enthusiasm.

The doubts I’d had over the last year about my ability to produce anything worthwhile on canvas had vanished. I’d seen my work displayed in a gold frame, hung in a fine home with guards to protect it. It had been revered, coveted. A strange situation, to be sure.

On the sideboard, the river scene beckoned. I studied it, realizing the green behind the trees was too faint; the black fishing boats needed to be emphasized. There was work to be done to make this version match the finished product I’d seen hanging on the red satin walls of the Senator’s palatial home.

Alice smiled at me from the stove. A tingle ran through my previously numb body. Could she? Would she? Am I as attractive to her as the bastard who had deserted her?

She rarely said an unkind word about the rogue, although my blood ran cold at the thought of him. Leaving six children and his wife behind to escape the hot flush of embarrassment from bankruptcy…there could be no greater evil.

Alice approached me, slid a fresh hot croissant onto my plate, and her clear eyes connected with mine. We held the glance for a few luscious seconds, and in minutes I was filled with the urge to paint. To paint, to never stop, to splash gorgeous colors on the canvas that mimicked and flattered reality. To paint for the memory of my Camille, of loves lost, and loves yet to flourish.

Ah, yes. I was back.

I thought of the Chief, and wondered what year he’d been transported from the gilded halls of Washington, DC. Had it been next year? Twenty years in my future? How long would it take my work to be known and beloved?

With a mental bow, I gestured to his fine spirit, wishing him clear vision and a long life. How it happened, I would never know. But I’d always be grateful to the tall proud man who had helped me relight my artistic spark.

I pecked a surprised Alice on the cheek, squeezed and hugged my eight children, scrubbed behind Antoine’s ears and received an enthusiastic tongue bath in return, and grabbed my easel. The early morning light was fading, and I needed to catch it before it disappeared forever.

The End




Red Cloud, inspiration for this story. And Monet, in his younger years....

***

Aaron Paul Lazar writes to soothe his soul. The author of LeGarde Mysteries and Moore Mysteries enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. For free excerpts, articles, beautiful photos, and recordings of the author reading aloud, visit his websites at www.legardemysteries.com and www.mooremysteries.com and join him on his collaborative blog: www.murderby4.blogspot.com.

Saturday, June 12, 2010

The Quick Red Fox, by John D. MacDonald


One of the sweetest parts of getting back into the workforce this week has been the ability to read whole books at a time while traveling. Okay, so ignore the fact that I'm falling asleep on my keyboard because I only got three hours sleep on the plane last night. (That's not drool. Honest!) Ignore the fact that I miss my family so much it's already killing me. Ignore the fact that I ate so much rich German food tonight, I think I'm never going to eat again. Let's ignore all that stuff and let me tell you about my mentor, John D. MacDonald.

How many of you have had the pleasure of reading his mysteries? I'm particularly fond of the Travis McGee series, and while choosing from my collection of books to be read en route and back from Germany, I picked a couple of easy-to-carry paperbacks. I've read most of the Travis McGee books, and this one is all torn up from all the times I've read it. But each time, I find a new and astonishing twist of words that leaves me breathless, and inspired. Damn, he's good. (Did you know he also inspired Dean Koontz?)

I want to share a few excerpts from this book to entice you to buy one of them. Do yourself a huge favor, and next time you're at the library or checking out books at a yard sale, pick up a dozen. Or two. Here's a photo of the window sill next to the table I sat at last night at the restaurant in my little guesthouse.


My particular copy was a yard sale find. The previous owner had also read it until it was tattered. I just noticed the original price on the torn cover - 50 cents! Printed right there on the cover. Of course, I probably paid a quarter for it. A steal, if there ever was one. (Read a 
history about this prolific writer who produced over 70 books!)

I think my favorite aspect of MacDonald's writing, in addition to his astute human and political observations, are his descriptions of people.

On describing the Hollywood star who hires him to help make some steamy orgy photos "disappear," he waxes incredibly perceptive and poetic:

   
  "I had not expected her to have such a genuine flavor of youthfulness. By every way I could measure it, she had to be about thirty-three. Yet she was a young girl, and not in any forced way. She had the slimness, the clear-eyed look of enormous vitality, the fine-grained and flawless skin, the heavy swing of burnished hair. Her impact, so carefully measured it seemed unaffected, was of a kind of innocence aware. A gamin sparkle, hinting at a delicious capacity for naughtiness."

Do you see how he just plain talks right to you, with no fancy words or sentence structures in the beginning? He often uses "She was," or "It was," and sometimes repetitively. It's effective, and unlike what lots of us have been shamed out of doing by the current day writing elite who frown on the "wuzzies," or using too much of the "to be" verb in construction. Yet, it doesn't bother me a bit here. It seems to make his writing more honest, more like a head-to-head chat.

Then we move into the description that seems to swell and grow with each new phrase. By the time I read, "a gamin sparkle," I was nearly salivating with not only envy for his talent, but possibly with lust for the women he described. (grin)

One of the things I love about Travis McGee is that he didn't fall for this obviously calculating beauty. No, he fell slowly in love with an almost plain gal who grew more and more beautiful the more he knew her - inside. Now, that's my kind of hero.

Near the end of the book, McDonald describes Ulka Atland M'Gruder in this way:

     
"...Her tilted gray-green-blue Icelandic eyes were the cold of northern seas. Her hair was a rich, ripe, heavy spill of pale pale gold, curved across the high and placid brow. She had little to say, and a sleepy and disinterested way of saying it. Her eyes kept seeking out her husband. Over all that stalwart Viking loveliness there was such a haze of sensuality it was perceptible, like a strange matte finish. It was stamped into the slow and heavy curve of her smile, marked by the delicate violet shadows under her eyes, expressed by the cant of her high, round hips and the way she stood." (And no, I didn't omit the comma you might have expected after the first "pale." I think it works better that way, and highly approve of his lack of separation of the identical word used for emphasis. Not that this genius needs my approval! Ha!)

There is so much more in this section, I wish I could share the whole page with you. Before you think, "Damn, he's such a womanizer," think again. Travis deeply loves the women in his life. He cherishes them. He respects them. And he has a great way of making the seemingly innocent beauties into absolute horror shows. I won't spill the beans any more, in case you read the book.

Here's one more segment that caught my eye.

     
"Later I sat near Ulke in a big game room in the house, while she carved and chewed her way through a huge rare steak, knife and teeth flashing, jaw muscles and throat working, her eyes made blank by a total concentration on this physical gratification. The effort made a sweaty highlight on her pale brow, and at last she picked up the sirloin bone and gnawed it bare, putting a slick of grease on lips and fingertips. There was no vulgarity in this hunger, any more than when a tiger cracks the hip bone to suck the marrow."

How many people eating steak did this bring to your mind? I could see that grease shining from her fingertips and the white bone flashing in the light. Couldn't you? He really nailed it, and it was particularly effective when paired with such an "ethereal" beauty as Ulke.

Like I said, genius.

Here's an example of MacDonald's sudden insertion of wise philosophical observations. He's talking about the characters going horseback riding, and thinks he has the killer in his sight. He's worried about something happening to the innocents who ride with them. His horse gives him fits. And while he keeps an eye on the supposed villain, he had doubts about his theories, realizing that the guy could maybe be innocent. It ends with this:
"Violence is the stepchild of desperation."

Where does he come up with this stuff? It's so poignant, and so true. And he just tosses it out there for us, like a gem dangling at the end of a perfectly normal paragraph.

I think when I get home I'll dig out a few more Travis McGee books, and hope some of this talent rubs off on me. Damn. I want to be that good. I really do.

How about you?

-- Aaron


P.S. Just for grins, here are a few pix from my first day and a half in Germany. I had a good day at work, today, meeting everyone and learning more about the products we make. Sadly, my insides weren't cooperating enough to fully enjoy the meals, but look how beautifully presented the dishes are:


The guest house dining room


                                                                                           White asparagus is a delicacy in Germany.

     Vanilla ice cream with passionfruit!       The sorbet to cleanse the palate.    Chocolate mouse - an artist must live in that kitchen!

                                           The guest house             One of many cute little two seaters on the road.

Saturday, May 15, 2010


How Do You Know When...

...you've spent too much time with little ones?
Here's how:

Last week on Mother's Day, in addition to a special card I made for my wife, I bought her a bottle of wine from one of our local wineries, Hunt Country. I'd been there a few years ago for a "mystery tour" book signing, and had the pleasure of meeting their gorgeous dog, "Gus." Of course, it was a special treat, since my main character in LeGarde Mysteries is Gus LeGarde. I arrived early for the event, and this wonderful dog followed me on a long walk through the vineyards. I just found out that Gus, a Bernese Mountain Dog, passed away and the new label, "Sweet Gus," is a rose' in memory of him. Sniff. He was so lovely.

Anyway, I bought a bottle of "Sweet Gus" for my wife, and when my daughter offered to go get it for us in the other room, I said, "Get the bottle with the D-O-G on the label."

My wife looked at me and smiled. "What, I can't spell now?"

I'd been spelling all week around the kids, in spite of the fact that my oldest grandson now knows how to spell almost everything. And what? I didn't think my wife would know what I was talking about? I laughed so hard at my idiocy that it took me a half hour to stop the tears and chuckles. I'm such a dope!

***

And how do you know when you've become too close with your dog?

When every time you leave the house - to mow the lawn, to get the mail, or to go food shopping - he jumps all over you like you've been gone for weeks. And on top of that, Balto has now taken to raiding my dirty laundry basket. Yup. You guessed it. When I'm gone, he drags out my jeans, tee shirts, socks, and even...er... underwear. He lays his head on these smelly treasures and growls when anyone comes near them.

What's he telling me?

That he'll be really upset when I start my new job in a few weeks.

Drat. I don't know how he'll get through it...


As happy as I am that I'm now employed again... I'm going to miss my family and this big brown eyed goofball.







www.legardemysteries.com
www.mooremysteries.com
 www.murderby4.blogspot.com

Sunday, March 21, 2010

Relentless, by Dean Koontz


Once again, I’ve come face to face, or nose to page as the case may be, with “the master.” An entire year of reading other authors’ books has deprived me of this thrill, this high, this bow-down-to-the-best-writer-on-earth sensation. I’ve missed it. Frankly, it’s been so long, I didn’t even remember how much I missed it!

This week, I had the intense pleasure of reading Relentless by Dean Koontz. Blazed through it in two sittings. Glued to the pages, mesmerized by the story and the writing, I whipped through the chapters with eyes wide open and heart pounding.

As fast as I read, I also stopped to savor every witty conversation. I lusted after each poetic passage. I marveled at his ability to keep me hanging off the cliff for the whole damned story. And of course, I underlined a hundred passages.

Reading this type of book is how I learned to write, how I continue to hunger for his level of craftsmanship, how I push myself harder and harder.

Damn, he’s good.

“The lead-gray sky of the previous afternoon, which had looked as flat and uniform as a freshly painted surface, was deteriorating. Curls of clouds peeled back, revealing darker masses, and beards of mist hung like tattered cobwebs from a crumbling ceiling.”

“Curls of clouds?” I LOVE that. “Beards of mist?” Divine. How many times have I described the sky or mist in my books? Dozens upon dozens. But my brain never came up with “curls of clouds.”

Here’s another genius passage, once again describing the sky.

“High in the steadily blackening sky, a silent convulsion broke the string in an infinite necklace, and fat pearls fell through the day, bouncing on the slate patio, dimpling the water in the harbor, rattling the gulls off the seawall to sheltered roosts.”

Sigh. See what I mean? “Fat pearls fell through the day.” “Rattling the gulls off the seawall.” Magic. Genius. Sheer beauty.

Of course, Koontz’s rising and plummeting, rocking and rolling, constant fast heartbeat action is renowned. Even more so here, with shocking, luscious secrets unveiled partway through the story about a writer who gets a really bad review by a reviewer-turned-psycho. It escalates so fast from there, my head spun for the rest of the thrill ride.

Koontz is also a master at dialog. He’s just about the best I’ve ever read, and I particularly love his page long passages of dialog that contain not one tag or beat. Just quotes. Clear. Concise. Never a doubt who’s talking. That’s Koontz.

Of course, his sense of humor slays me. Check out this description of a very huge man.

“As usual, he wore a vibrant Hawaiian shirt, khaki pants, and sneakers. The shirt presented an acre of lush palm trees silhouetted against a sunset; and one of his shoes could have carried the baby Moses down the river more safely than an ark full of bulrushes.”

More than once I laughed out loud, waking up my poor wife who was trying to sleep. (Sorry, hon! Don’t blame me. Blame Dean Koontz!)

As writers, we need this kind of literary shaking up as often as possible. As readers, we deserve this kind of a treat. Now I’m on to my next Koontz book–The Longest Night of the Year. I can’t wait!

If you read one book this week, treat yourself to Relentless. I guarantee it will stir up your creative juices and take you on a virtual thrill ride that will knock your socks off.

***

Aaron Paul Lazar wasn’t always a mystery writer. It wasn’t until eight members of his family and friends died within five years that the urge to write became overwhelming. “When my father died, I lost it. I needed an outlet, and writing provided the kind of solace I couldn’t find elsewhere.”

Lazar created the Gus LeGarde mystery series, with the founding novel, DOUBLE FORTÉ (2004), a chilling winter mystery set in the Genesee Valley of upstate New York. Like Lazar’s father, protagonist Gus LeGarde is a classical music professor. Gus, a grandfather, gardener, chef, and nature lover, plays Chopin etudes to feed his soul and thinks of himself as a “Renaissance man caught in the 21stcentury.”

The creation of the series lent Lazar the comfort he sought, yet in the process, a new passion was unleashed. Obsessed with his parallel universe, he now lives, breathes, and dreams about his characters, and has written ten LeGarde mysteries in eight years. (UPSTAGED – 2005; TREMOLO: CRY OF THE LOON – 2007 Twilight Times Books; MAZURKA – 2009 Twilight Times Books, FIRESONG – 2010; with more to come.)

One day while rototilling his gardens, Lazar unearthed a green cat’s eye marble, which prompted the new paranormal mystery series featuring Sam Moore, retired country doctor and zealous gardener. The green marble, a powerful talisman, connects all three of the books in the series, whisking Sam back in time to uncover his brother’s dreadful fate fifty years earlier. (HEALEY’S CAVE: A GREEN MARBLE MYSTERY, 2010; ONE POTATO, BLUE POTATO, 2011; FOR KEEPS, 2012) Lazar intends to continue both series.

Lazar’s books feature breathless chase scenes, nasty villains, and taut suspense, but are also intensely human stories, replete with kids, dogs, horses, food, romance, and humor. The author calls them, “country mysteries,” although reviewers have dubbed them “literary mysteries.”

“It seems as though every image ever impressed upon my brain finds its way into my work. Whether it’s the light dancing through stained-glass windows in a Parisian chapel, curly slate-green lichencovering a boulder at the edge of a pond in Maine, or hoarfrost dangling from a cherry tree branch in mid-winter, these images burrow into my memory cells. In time they bubble back, persistently itching, until they are poured out on the page.”

The author lives on a ridge overlooking the Genesee Valley in upstate New York with his wife, daughter, three grandchildren, mother-in-law, three dogs, and cat. Although recent empty nesters, he and his wife just finished fixing up their 1811 antique home when the kids moved home. Again.

Lazar maintains several websites and blogs, was the Gather Saturday Writing Essential host from 2006-2008, writes his monthly “Seedlings” columns for the Voice in the Dark literary journal and the Future Mystery Anthology Magazine. He has been published in Absolute Write as well as The Great Mystery and Suspense Magazine. See excerpts and reviews here:


Contact him at aaron.lazar@yahoo.com.

Sunday, March 14, 2010

The Lost Art of Letter Writing



copyright aaron paul lazar, 2010


Most of us correspond daily with email. When you take a moment to slow down and examine your email, you may realize you write and receive dozens per day. Some days it’s more, but if we go away for a week or get caught up in life away from the Internet for a while, we’re often buried.

Sound familiar?

How long has it been since you wrote a real live honest to goodness paper letter? On stationary, for that matter? I hadn’t even sent Christmas cards in eons, since life got crazy and I could quickly dash off an e-card or a few lines of Christmas cheer with a bright email. So much simpler, right?

Email became so convenient that we all sneered at snail mail and used to roll our eyes when some venture required us to actually print out a letter and affix a (way too expensive) stamp to it.

But since I got my new wireless printer, packs of fancy paper and envelopes, and started applying for colleges and new agents all at the same time, I got into the groove of typing out envelopes (I never could figure out how to do that until now, LOL!) and letters on nice stationary. Damn, they look so good on that pale blue fancy parchment paper.

Strangely enough, I found the exercise pleasant. There was something satisfying about licking the stamp and putting it in the mailbox. I started to wonder if I was regressing to my youth, because I used to correspond with people all the time. When I left home to move to the Finger Lakes region of New York, I wrote long newsy letters to my grandparents back on the east coast. I’d enclose snapshots (another thing I haven’t ordered in ages! Must do that!) and enjoyed the process of sitting out under a big old maple tree during my lunch breaks at work, and penning many pages about our triumphs and traumas. My handwriting has gone to hell in a hand basket since then, probably because I don’t practice any more. It used to be quite elegant, something like the Renaissance man I’m supposed to be should have in his arsenal of skills. You know, drawing, piano, gardening, photography, poetry, and nice handwriting. Ha.

Since I’ve had a little more time on my hands this year (in starts and spurts), I’ve taken the time to print out well crafted letters to friends I haven’t seen in ages to reconnect with them. My ex-boss from Kodak, a fellow writer who’s in the hospital, my old pal from college… it felt good to create a letter you can touch and feel and save in a drawer. Know what I mean?

When people send me thank you cards – something that’s really almost a lost art, I think – I feel so special! After a library event or book club appearance, I’ve often received these colorful notes from my readers. You know what? It feels great.

I wonder, have you taken the time to pen a handwritten note lately?

Do you notice how much more casual we are in our emails compared to when we type them to print out or write them longhand? We’ve gotten more and more lax in our grammar, punctuation, and now the shortcuts are so common that even in this article I’ve used “LOL”, because I think there are just a handful of people out there who don’t know it means Laughing Out Loud. It’s so engrained now, I sometimes find myself tempted to use it in my writing, which is absurd, of course.

If you can find a spare moment this weekend, go dig up some of your old cards or stationary, and pen a thoughtful note to someone you’ve let drift out of your life. It’ll make you feel real good. And I’ll bet it will make your friend feel even better.

 ***



Aaron Paul Lazar writes to soothe his soul. The author of LeGarde Mysteries and Moore Mysteries enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. Visit his websites at www.legardemysteries.com andwww.mooremysteries.com and watch for his upcoming release, HEALEY’S CAVE, coming in 2010.



Copyright aaron paul lazar 2010, all rights reserved


Dear Daughter,

I don’t mean to do it. It’s not like I use beef-flavored deodorant or hide doggie treats under my mattress. Nor do I blow the silent whistle every night to get them to pile onto my bed. They just want to sleep with me. All three of them.

I don’t call them upstairs. I don’t pat the mattress and make kissy noises. In fact, I hope they decide to stay with you, dear daughter, instead of me, because all night long I’m pinned beneath furry masses, desperately trying to find a spot for my knees and feet.

It’s been like this since you moved home. And I wish it was different!

I wake up ten times during the week with sore shoulders and hips, needing to flip. Amber lays like a lump on my feet, not next to them, her fifteen pounds feels like fifty. Balto curls beside me, his spine pushing me sideways so that I have about ten inches of mattress. And little Domino hops from side to side each time I turn, jumping into the cave of my knees with the alacrity of a circus dog.

I try to move Amber from my legs – she doesn’t budge. I have to gently pick her up and slide her lumpy little body sideways. Quickly, very quickly, I need to move and reposition, but usually she finds the spot before me and I need to either give in or move her again.

It’s not the ideal sleeping condition, for sure. Okay, so they keep me warm on really cold nights. But for me, they’re all Three Dog Nights, whether it’s frigid February or sweltering summer.

Anyway, dear daughter, sorry about being the dog stealer. It sure wasn’t intentional. Until we can convince the dogs otherwise, I think I need a bigger bed.

 ***

Note: Photo above is my grandson Julian with Balto when he was a pup - love this picture and couldn't resist using it. ;o)