Tuesday, November 23, 2010

I'm Thankful for.... Nature and its Bounty.




Savor the Moment: inspiration for writers
copyright, Aaron Paul Lazar 2010


It’s the last week of November. Winter has already stretched tentative tendrils toward us, chilling the evenings to icy temps and drenching the mornings with heavy dew. Today, as I rounded the top of a hill overlooking the valley, my breath caught in my throat. Before me lay the snaking path of the Genesee River, previously hidden from casual view behind fields and woods. Nebulous clouds of fog hovered above, revealing the river route that quietly meanders out of sight most of the year.

My soul exploded with a sensation of splendor best described by the Japanese philosophy, wabi sabi*. This was indeed a wabi sabi moment, a fraction of time linking nature and man, steeped in intense sensual beauty…so full of wonder it transports you to a moment of spiritual enlightenment.

In addition to the vapor-bound river, the countryside lay punctuated with farmers’ ponds, exposed via banks of fog steaming overhead. Normally hidden by tall fields of grass or corn, the wisps of moisture called attention to the quiet shallows, home to frogs and watering holes for livestock.

Stunned by the beauty, invigorated beyond belief, I continued on the drive that I’d taken thousands of times before. Heading north on River Road, whispers of “Thank you, God,” floated in my brain. Still and amorphous, the words vibrated in syncopation with stirring grasses.

Once again, nature presented a feast so lovely I choked with emotion. There, to the east, clusters of tall grass waved in the sunlight with heavy heads bowed under the weight of soaking dew, their curvatures swan-like as they moved in glistening silence.

The ephemeral nature of this phenomenon is part of the allure. That precise moment of intense immersion, that amazing connection with nature, will never repeat. The sun's rays may not hit the grass with exactly the same angle or intensity. The grass will change tomorrow, perhaps drier, taller, or shorn. This transient moment of staggering beauty must be absorbed and cherished.

What path do writers take to experience this? How do they open the channels in the brain that might have been content to listen to Haydn’s 19th Symphony in C Major, but blind to nature’s offerings? (this was playing on the radio when I delighted in these visions today.)

First of all, one must be a “visualist.” That isn’t a real word, but it describes what I mean. A person who is stunned by physical natural beauty (certainly not at the exclusion of aural, tactile, or emotional stimuli) possesses visual aqueducts to the world through his or her eyes. Infinitesimal flashes of stunning images move him beyond belief. These impressions are captured in his mind’s eye, never to be lost, forever to be savored. And often, when this type of writer is creating, they see the “movie in their mind,” pressing from within, allowing readers to feel intimate and involved in a scene.

What type of a reader are you? Do you soak up scenes written by others? Imagine them for days on end? Find choice gems of passages that affect you for life? Do you want your readers to feel this way about your own prose?

It is this deeply felt appreciation for nature, for life, for wonder, that promotes a good writer to potential majesty. Perhaps not to best-seller status – that illusory fate is in the hands of a publishing industry often not tuned into art, but focused solely on profit. Try to ignore that aspect when you are creating your next masterpiece. In time, if the stars are aligned and you achieve this pinnacle of greatness, it may happen.

Open your eyes. Reel it in. Absorb the beauty around you, whether it is the flash of love in an old woman’s eye, or the fragile petal of a tiny orange cinquefoil. Allow yourself to be in that moment, record it in your soul, and play it back for your readers for the ultimate connection.

And be ever so grateful... for this life of ours is a gift. Don't waste it!

* Wabi Sabi for Writers, by Richard Powell, Adams Media.

Sunday, November 07, 2010

Book Title - Voting Results!




Last week we talked about how hard it is to come up with an original book title that hasn't already been used by a hundred authors. I spent a day perusing American phrases, and made a list I thought was original and pretty exciting.

It was only when I did Amazon searches on them to be sure they hadn't been used before that I was knocked down a few pegs - almost all of them had been used, countless times, and by some very famous authors like Agatha Christie and Fyodor Doestoevsky.

What instigated this new title search was a request from my publisher, Lida Quillen. She thinks my original title doesn't quite match the excitement level in my second Moore Mystery (sequel to HEALEY'S CAVE), and so she asked me to come up with some options.

One tip she provided was not to worry about a previously used title. Of course, titles aren't copyrighted, so anyone can use any existing title. And what would differentiate this book, is the subtitle "A Sam Moore Mystery."

I asked my readers, friends, and anyone who was interested to vote on my short list. Here are the results:

  • Cat Among the Pigeons   46
  • Dying to Meet You            32
  • Snake in the Grass           28
  • Dark Horse                       28
  • Paper Tigress                   25
  • The Bluff                           23
  • Terror on the Hill               19

There were a few votes here and there for the other titles, but they didn't make the grade, so I left them off.

Now, there were also some "write-ins" on this poll! Quite a few folks had suggestions, and I wanted to thank them by showing them here:

  • Terror Comes Knocking                Don H.
  • With Cat's Eyes                            Karen F.
  • A Time of Terror                            Mary E.
  • Regards                                        Ginny S.
  • Inquest at the Pyramid's Eye        Jeni E. 
  • Inside the Cat's Eye                     Anita S.
  • All That and Something Moore    Wesley W.
  • Dark Terror                                   Angela A.
  • Dark Talisman                              Angela A.
  • Pigeon Among the Cats               Greg S.
  • I Almost Cried                              anonymous
  • Stranger Within                            Larry H.

Aren't they great? We have some creative people who took this poll!

So, Cat Among the Pigeons was by far the favorite (I love it, too!), with actually tons of votes for most of the other choices.

But as I mentioned last week, my publisher has the last word. She's pondered both lists - yes, I sent your suggestions to her! And guess what?

It's a tie!

As I write this, she's still deciding between Cat Among the Pigeons and Terror Comes Knocking, submitted by Don Harman from Charlotte, North Carolina. She wants to take her time to reflect on it, and will let me know when she's ready to announce the next title.

You never know, do you? When I started this list, I really loved Snake in the Grass and Dark Horse, but now I'm open to whatever she chooses. After all, she's been in the business a lot longer than me.

Thanks everyone, for participating, and have a great Sunday!

- Aaron Paul Lazar



www.legardemysteries.com
www.mooremysteries.com

Sunday, October 31, 2010

http://media-files.gather.com/images/d47/d601/d746/d224/d96/f3/full.jpg


Lida Quillen, of Twilight Times Books, informed me last week that she wants to put out three of my books next year. There's no problem having enough material, I still have about seven books waiting in the wings. I was planning on two possible releases, but whoa...three! I have lots of work ahead of me!

One of the books is scheduled for second quarter 2011. One Potato, Blue Potato (long story goes with this title, but it does match the storyline) is the sequel to Healey's Cave (2010). Only problem is, Ms. Quillen believes the story is much more exciting than the title warrants. So, time to come up with a new one.

Wanna help?

Here's the synopsis, then I'll tell you what I went through yesterday to come up with a lovely independent list of great selections that went bad when I did some Amazon searches...


Sam’s daughter Beth has been unreachable for several days. Something is seriously wrong, and the Moores don't know where to turn for help. No ransom note comes, no kidnapper calls. When Zafina Azziz, Beth’s roommate and NYU Medical student, arrives on Sam’s doorstep worried about Beth, they realize it’s time to call the FBI.

In the midst of the investigation, Zafina’s larger than life personality wows Sam’s wife, Rachel, and when Hashim Azziz arrives on the scene, she welcomes both siblings to her home. But Sam thinks there’s something wrong about the woman who slinks around like an Egyptian princess with her cat eyes and strange ways.

The Moores unravel with worry as the green marble, a talisman connected to Sam’s dead brother Billy, thrusts Sam between past and present. When Sam's friend, Senator Bruce MacDonald, is tapped for the Presidential nomination, the town goes berserk preparing to welcome the sitting President to the opening of a new arts center.

But all is not well in the small village. A bomb explodes in the back of Yasir Khoury's Dry Cleaners, escalating fears of terrorism and anti-Iraqi bigotry. As Sam fights the tide that threatens to sweep his missing daughter away, he discovers a shocking link between Beth and the terrorists, then dives head first into the melee to avert a calamity that could rival the 911 disaster.

Okay, so this should give you some of the theme ideas. A threatened President, a missing daughter, anti-Iraqi sentiments, shocking surprises... and more, all set in the beautiful countryside of the Genesee Valley in the Finger Lakes region of NY.

I went through a phrase list yesterday, with common sayings and their origin, and came up with this list. I was quite pleased with myself, thinking how original and exciting some of these titles were. Much to my chagrin, I discovered - as we all well know - that there are hardly any "new" ideas, including titles, and that almost every one of them had been used many times in fiction (and non-fiction, which I didn't count!).



Bold as Brass
Bombs Awa
Clean Sweep
Cat Among the Pigeons
Crack of Doom
Cry Havoc
Dark Horse
Eleventh Hour
Eye for an Eye
Fair Game
Finding Beth
Feeding Frenzy
Flushing Fletcher Biddle
Fletcher Biddle’s Bluff
Forbidden Fruit
Friendly Fire
Hell for Leather
Hell or High Water
Home to Roost
Insult to Injury
Loggerheads
Loose Cannon
Midnight Oil
Multitude of Sins
Paper Tiger
Paper Tigress
Passing Muster
Pound of Flesh
Prima Donna
Save the President
Score to Settle
Second Nature
Snake in the Grass
Terror on the Hill
Terrorist in the Family
The Gauntlet
The Horse’s Mouth
To the Quick
Tooth and Nail
Touch and Go
Wages of Sin
Zafina’s Revenge

Since I created this list, I sent it to my publisher to get her first reaction. I wanted to know if any titles stood out to her, or if she hated any of them, too. She gave me a list to eliminate.

A friend suggested, "Dying to Meet You." (Thanks, Sonya!) And I came up with a few more since the original effort. I culled the list, eliminated the really famous ones (Agatha Christie and Doestoevsky!), and now have a short list I'd like you to vote on. UPDATE - my publisher says it's okay to go with these, too! I've added "Cat Among the Pigeons" to the short list.


By the way, my publisher also said it didn't matter if the titles were used before, and not to discredit any just because of that. Since we'll follow it with "A Sam Moore Mystery' as a subtitle, it will be unique, in the end. ;o)

Here's my short list.
Dark Horse
Dying to Meet You
Paper Tigress
Prima Donna
She's Missing
Snake in the Grass
Terror on the Hill
The Bluff
Cat Among The Pigeons



Vote for your top three names. Include them in the comments below, or email me at aaron.lazar@yahoo.com if you'd rather not vote in public.


Thanks in advance for your vote!

- Aaron Paul Lazar

www.legardemysteries.com
www.mooremysteries.com

Thursday, September 30, 2010



copyright Aaron Paul Lazar 2010

What motivates you to write?

Is it a yearning to connect with humankind? To share your cherished visions with readers? To breach that lonely cold gap stretching between souls? To reach into someone’s heart, and really, truly make a difference?

Or do you simply write for yourself? Do you need to control a parallel universe that performs at your command, whose heroes are vivid and alive in your brain, and whose villains bow to your will? Is your own life so out of control that this writing thing, this whirling, compelling, demanding art form does wonders as a coping strategy?

Maybe you don’t care if your books ever get published; you just need to satisfy that inner drive to write. It itches until you scratch it, lures you like a lover, and enslaves you like a drug. And it’s very unforgiving. If you don’t get your daily fix, you get grumpy. Supremely grumpy.

Some write to purge demons from a childhood trauma, or to escape painful reality. Others create romantic relationships that fill emptiness in their own life, or invent critters to help heal the ache after losing a beloved pet. Some imagine bizarre aliens in a world so unlike ours that tantalizing characters and stories are born into new galaxies. And there are those who create scenes with characters strangely like their dear departed grandparents.

Writing can be comforting, thrilling, romantic, and scary.

But under no circumstances should you write simply to sell a book. That kind of motivation will only disappoint you, and writing for money is often a surefire way to guarantee disappointment. Instead, write from your heart. Write to soothe your spirit. Write to instill order in a chaotic world. Write to entertain, to create twisted plots that electrify or shock. But don’t write just to sell. Because in the end, you may be selling your writer’s soul.

Let’s say you’ve written your heart out. You’ve pumped out a few great books. Suddenly you go dry. What motivates you now?

Look around you. The world is crammed with topics. Watch your favorite movies. Dissect them, list the ideas that stir your imagination, and make an inventory of your favorite themes. Is it unrequited love? Time travel? Gentle giants falsely accused? Delicious twists that shock and surprise? Spunky lady cops who save the day? Heroic animals? Fantastical fairies? Gritty city secrets?

Keep your ears open. Listen to news stories. The often unfathomable, sometimes horrific accounts will stir your creative juices. Imagine a twist on them. Then twist it again and change its literary color or scent. Don’t worry if it’s been done before. Just put your mark on it and write it with passion.

Tune in to real life dramas at work, church, or school. Think about your friend whose wife died from a rare complication of a cardiac virus, your cousin who suffers from depression, your daughter whose college boyfriend from Albania is suddenly deported. Real life is fertile and rich. It’s full of angst, splendor, terror, and adventure. It offers a mosaic of ideas, and waits for you to pluck your new favorites to mix and match into a dynamic storyline.

Last of all: read, particularly from your genre. Read incessantly. Read in the grocery store line. Read at the doctors. Read at the Laundromat. Read while you wait for the kids after soccer practice. Read before you go to sleep at night. It’s not only the best way to charge up your imagination. Sitting at the virtual feet of the masters of the craft is the best way to learn to write.

Life is full of material. Sometimes the hardest part is choosing your themes. Pick a few, and toss them around to coat them with new variations. Make your time traveler a dog, instead of a boy. Put an alien in your tear jerker romance. Create cute little cockroaches instead of bunnies in your children’s book. Or stick to cliché themes, but shake your own writer’s salt on it. Mix up your hat full of ideas and see what falls out.

It’s all up to you. Now go get ‘em.


***

Aaron Paul Lazar










DOUBLE FORTE' (2004)

UPSTAGED (2005)

TREMOLO: CRY OF THE LOON (2007)

MAZURKA (2009)


FIRESONG (2011)


MOORE MYSTERIES

HEALEY'S CAVE (2010)

ONE POTATO, BLUE POTATO (2011)

FOR KEEPS (2012)


Preditors&Editors Top 10 Finalist * Yolanda Renee's Top Ten Books 2008 * MYSHELF Top Ten Reads 2008 * Writers' Digest Top 101 Website Award 2009 & 2010

Poll: 2010-09 Most Intriguing Trailer

Would you consider checking out this book trailer contest for Healey's Cave? If you think it's the best, please consider casting your vote for it.

Thanks in advance. ;o)

Poll: 2010-09 Most Intriguing Trailer

Friday, September 24, 2010


Title:  A Stranger Like You
Author:  Elizabeth Brundage
Publisher: Viking Adult (August 5, 2010)
Genre: Literary Mystery/Thriller, 272 pages
Publisher's Address: Penguin Group USA, 375 Hudson Street, New York, NY 10014
ISBN number:  9780670022007
Price: $25.95 (hardcover)
Publisher website address: www.penguin.com
Author’s personal website: www.elizabethbrundrage.com

***

Hugh Waters: Bad marriage. Boring life. Bottled dreams, now smashed. Big problem.

Denny Rios: Unloved child. Unraveling psyche. Unsung hero.

Hedda Chase: Privileged. Powerful. Professional. Pitiful.

When Hugh Waters, insurance agent, takes a screenwriting class and miraculously sells his salacious thriller to Hollywood, his drab and unhappy life takes on sudden meaning. But when a Hollywood executive dies, the successor, Ivy Leaguer Hedda Chase, denounces the script as chauvinistic and unbelievable, resulting in a cancelled contract for Hugh.

Hugh snaps, flies to LA, and stalks Hedda with a vague plan to convince her she’s wrong about his story. Instead, with no qualms and with the calculating, level-headed insanity of a true sociopath, he submits her to the same quandary the character in his film endures, to prove that his plot is plausible. Hedda is locked in the trunk of her vintage BMW and abandoned at the airport, keys dangling in the ignition.

On another path, Iraq war veteran Denny Rios, pushed and berated by a group of decadent soldiers, was forced to half-heartedly join in the horrific rape of a young Iraqi girl when on duty overseas. Haunted by the experience, sickened by guilt, never free of the girl’s face in his nightmares, Denny flees when the cops approach his aunt and uncle’s home and steals the car with Hedda still bound and gagged in the trunk.

I know, it’s an intriguing plot. But it’s not the storyline that captivated me in this novel. It’s more the Dostoevsky-like telling of the tale.

Although A Stranger Like You is billed as a mystery/thriller, I’d prefer to see it classified as literary psychological fiction. The “literary” tag comes from the pure poetry that infiltrates Brundage’s well-written prose.

As a boy, he’d gone to the Jersey shore in summertime, but this was the Pacific. There was something about this ocean. In the distance, the air looked brown, like an old-fashioned sepia print, the water copper in the sunlight. The sea was calm, the air smelled of fish. Savage birds dove and fought.

Here’s another passage:

They would smoke pot and make love, her skin the impenitent green of old bay leaves, her nipples like the smudged rubber thimbles of a bookkeeper, and then she’d make him tea with mint that she grew on her windowsill. Compared to his wife, Jolene was easily satisfied, uninhibited about her nakedness, her smells, her moody breath. She moved with the unhindered heft of a wrestler…

Brundage showcases very long and winding passages that contain little dialog or action, aside from the running stream-of-consciousness thoughts of each character. Layered over and between each other, these passages of inner thoughts, often told in present tense, second person, lend kaleidoscopic views to the story, hopping back and forth through time and focusing on the unique angle seen by each character. It’s the use of second person (“you” POV) that brings the intimacy to these segments.

Death is something you fear, and you can never gauge its proximity. Sometimes you sense it encroaching upon you like some thief in the night, looking into your windows. Sometimes you lay in bed, brittle, waiting for evil to find you. Images sprawl through your mind, arbitrary scraps of terror that have become all too ordinary. To some degree, you have been nurtured on fear.

Here’s another:

Maybe you are just tired after the long flight, but you feel conspicuous, profoundly aware of your middle class American roots, drawing attention to yourself as only an American can, in your schlumpy sweat suit, your clunky bag of indispensables (vitamins, pills, and medications for any possible problem, dental floss, makeup, Tampax, Nikes, your favorite Patagonia cap), and the way you move, with carbonated overflow, in comparison to the serene aerodynamics of the locals. As a female, you are sensitive to the feverish curiosity of strangers. Their eyes coat your body like paint.

Of course, there’s suspense that draws the reader to the finale. We need to know what happens to Hedda Chase, locked in the trunk of that blue BMW. But it’s the intense character profiles and the disturbing intimate lives we glimpse through Brundage’s unique approach that were most riveting.

Following are some favorite lines from A Stranger Like You:

He didn’t tell them the stars were like the teeth of the dead.
***

He carried the stories around in his pockets, in his fists, like stones.

***
Doubt is your compass.

***

…Sunrise like the smeared rouge on a whore.

***

A bruise floats over his eye like a jellyfish.


Brundage digs deep inside her characters’ heads. In addition to the primary characters above, we peek inside the lives of a disillusioned screenwriter (Tom Foster), an escaped and ill-fated Iraqi student (Fatima), and a young homeless waif of a girl (Daisy). All of Brundage’s well-rounded characters play to an unusual backdrop of a seedy vision of Hollywood interwoven with images of the war in Iraq, told through Denny’s thoughts.

This is not a fast read. It’s not a Patterson, or Hoag, or a quick thrill ride that you’ll devour in one sitting. It’s a study in human nature, and you’ll have to work your way through it. But I guarantee, you’ll enjoy the ride. The characters–all who move masterfully through their arcs of development–will haunt you long after you finish A Stranger Like You.

***




Aaron Paul Lazar writes to soothe his soul. The author of LeGarde Mysteries and Moore Mysteries enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. Watch for his upcoming release, FIRESONG, coming in 2011.




Thursday, September 02, 2010

FREEBIES: Clever Marketing or Foolish Folly?


I’ll never forget the article I read on giveaways, written by a successful author who’d climbed his way to the top with sheer sweat and brains. Well, to be honest, I can’t remember his name, but I’ll never forget his advice. He recommended that every author give away tons of books to spread the word. Of course, this is if you haven’t already landed a publisher with deep pockets who’s promoting the hell out of your work.

Some folks recoil with horror when they hear this. “After all I’ve gone through to GET here? After all that agony of rejection after rejection? After finally getting into a good publishing house? After the years I’ve spent perfecting this book? And the years beyond I waited for it to come to print? And ESPECIALLY since I only make a ridiculously tiny profit on each book? You want me to give them away? Doesn’t that invalidate the whole thing?”

No. It doesn’t. It helps grow your readership.

I’ve given away quite a few books in the past five years. To friends who helped with the books, to the gals in the dentists office, to friends’ grandmothers who had no money but loved mysteries, to the English teacher I met in Monroe Muffler who taught grammar for twenty years… I give many away on impulse and quite a few more with careful planning.

But the author who wrote said article would encourage you to buy at least 350 copies and strategically give them all away.

He suggested donating a book to every single person in your life who likes to read. And to those who don’t, or who have spouses who do. To doctor’s offices, to the local fire department, to hospitals, friends of friends… you name it.

Of course, we’re talking big bucks here. Three hundred copies of a typical $17.00 trade paperback could cost an author almost three grand, if he gets a good discount from his publisher. Three thousand dollars! That’s more than many small press authors make on one release.

Sadly, I never got to the point where I followed this fellow’s advice, but I still impulsively give my books away all the time. The way he explained it, and the way I figure it, nobody ever bought a book by an author they don’t know, or that wasn’t written up with glowing of accolades in major publications. So let them read your stuff, fall for it, and maybe they’ll buy your other books, too.

I ran across another blog this week that touted the same principles, but using eBooks instead of print books. Much less outlay was required by the author and publisher, and a great deal of savvy marketing was involved in the whole process. You can read this brilliant article by J.A. Konrath, here.

As luck would have it, I’ve recently seen a few examples of how this works.

When I was hired into my new firm in June, I wanted my coworkers to know me. To really know me. And you can’t do that unless you read my books. I’m not just the friendly guy who loves his family, smiles a lot, is willing to help at the drop of a hat, who sometimes might even seem a little too nice. There’s the real me, the guy who writes all the time, who loves nature to the extreme, who harbors fears, who’s been through hell and back, more than once.

In order to do this, I signed over a copy of Double Forté to my colleague and to my boss and his wife, who both work there. Then, I brought one copy of each of the rest of my books into the office and set them on a shelf, plus sent a duplicate set to Germany to our R&D team, for the members who read English fiction. “Help yourself,” I said. “These are for you and your friends.”

I was thrilled when Bill brought home the books for his elderly mother, who reads 3-4 books a week. She loved the first one. Said she devoured the second. And so on. Within a week and a half, she’d read them all. The other day, she told her son she wanted her own copies of each of them – she’s buying all five books. Neat, huh?

I never expect anything back when I give away books. To be honest, I love sharing what’s inside me with these people. Maybe it’s a latent case of needing to feel loved and validated. But a tiny part of me hopes that maybe someday, the mother of the brother of the gal who works in the dentist might know the son of the Hollywood producer who hears about and then reads my stuff; then realizes the potential he holds in his hands for a blockbuster movie series. ;o)

Okay, so we can all dream. Right?

I can’t be too specific about this next instance, because I promised not to tell that I received something phenomenal for free. But after donating several years of my time to an online writers group (managing submissions, mentoring, teaching and donating about 3-4 hours a week before I pooped out), I was given the equivalent of many hundreds of dollars of free promo for my newest book, Healey’s Cave, without even asking.

Wow. What goes around comes around, and all that. ;o) Nice to know it can still be true!

Next time you grow pale and shudder at the idea of giving away your books, think again. Or rather, if you have some on hand, don’t think. Just do it. You never know what will come of it. And if nothing tangible comes your way, at least you had the joy of sharing with another human being. Right?

Don’t forget to take pleasure in the little things… and write like the wind!

                                                                                            - Aaron




Aaron Paul Lazar writes to soothe his soul. The author of LeGarde Mysteries and Moore Mysteries enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. Visit his websites at www.legardemysteries.com and www.mooremysteries.com and watch for his upcoming release, FIRESONG, coming Winter, 2010.

Wednesday, August 11, 2010

Sam Moore Speaks

Would you like to get to know a character, even before you read his book?

I've recorded some of Sam Moore's most intimate and tortured thoughts in this video. It's not really a normal video, but the only way to get audio on YouTube or other sites is to put a jpeg image behind it and save it as a movie file. ;o) Took me all day to figure that out - shows you how bright I am. And I didn't want to make it into a book trailer, for Heaven's sake. I already have one of those!
Anyway, I'd love to hear your thoughts on this.




Sam Moore is a retired country doctor in the new paranormal mystery series, Moore Mysteries. The first book comes out soon, (August 28th), and you can pre-order it here if you're so inclined to save a good chunk of change!






Here's a look at the synopsis, in case you'd like to see it:

http://media-files.gather.com/images/d523/d486/d746/d224/d96/f3/full.jpg

Sam Moore's little brother vanished fifty years ago. No body. No answers. What Sam has is a boatload of guilt, since he failed to accompany Billy on his final, fateful bike ride.

While digging in his garden, Sam discovers a green marble with a startling secret—it whisks him back to his childhood, connecting him to Billy. Thrust back and forth through time, Sam struggles to unlock the secret of his brother’s fate.

When the FBI investigates remains found nearby, Sam learns of a serial killer with a grisly fifty-year record. Sam’s certain it’s Billy’s killer. But what’s worse, his grandson fits the profile of the murdered boys. Will the killer return to Sam’s town to claim his final kill? Can Sam untangle the truth in time to save him?


http://media-files.gather.com/images/d522/d486/d746/d224/d96/f3/full.jpg

Aaron Paul Lazar writes to soothe his soul. The author of LeGarde Mysteries and Moore Mysteries enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. For free excerpts, articles, beautiful photos, and recordings of the author reading aloud, visit his websites at www.legardemysteries.com and www.mooremysteries.com and join him on his collaborative blog: www.murderby4.blogspot.com.

Sunday, August 08, 2010

Promoting Your Book - the hard part.

copyright 2010 aaron paul lazar

I've been lax in the past few years about promoting my newest books. I haven't always done a virtual book tour, I haven't always advertised. And I've let life get in the way off and on. Like when I lost my job last year - that really messed up the focus I would have had to promote Mazurka.

But this year I'm trying to do it "right". (If there is such a thing!) I've redesigned the website that features my debut new paranormal mystery series, MooreMysteries.com. I've hired a very talented friend to make a book trailer for me, I'm seeking out new review sites, and have scheduled my virtual book tour for a few weeks after the book will be officially released. I plan to record myself reading my first chapters, record and publish a letter from my new protagonist to readers, and I'm reading to a crowd at big convention in Rochester this fall. Not bad for a guy who's once again working full time, still trying to keep up with massive gardens, babysitting whenever possible for the grandkids, and cooking family feasts all summer. Ha! I'm tiring myself out just talking about it.

I'm also trying to decide which ads make sense. I hope to look into getting my new trailer featured on YouTube, Gather.com, and more. I've twittered it and Facebooked it a lot. I'm going to get word out to my fans and readers through iContact, and hope to blog like crazy all over about it.

I feel like I'm doing the right things, but man, do I miss my creative writing. I left poor Callie kidnapped and in terrible danger by a nasty old drug company in the Adirondack woods in my second Tall Pines mystery about three weeks ago. Oh, I forgot to mention, I'm also writing a third mystery series. LOL.

Anyway, Healey's Cave is my first paranormal mystery, the debut novel in the Moore Mysteries series, also known as the "green marble mysteries." The official release date is August 28th, 2010, but you can preorder it here for a 32% discount, a very nice bargain! I thought I'd share the trailer with you, and also would love feedback on the new website.

And if you want to know who created this gorgeous trailer, email me at aaron.lazar@yahoo.com. I'll spill my secret. And you'll get a hell of a deal if she takes you on. ;o)

I've tried for many hours to get the video to load here, but it's not working. So here's the YouTube link. ;o)



Let me know what you think!

Have a great week,

- Aaron




Wednesday, July 28, 2010


Literary Sampler: a potpourri of stories and first chapters

When my publisher approached me about doing a free eBook, at first I balked. I was happily ensconced in my latest book, and wallowed in the creative rush every day. That particular aspect of being an author is by far my favorite. I'm swept away in my parallel universe and was happily hunting down bad guys in the Adirondack Mountains when the request came in.

What? A free eBook? I'd heard about them and had actually downloaded a number of them before, but hadn't really thought it would be in my future. 

I was wrong.

Three authors from Twilight Times Books collaborated on this effort, which became an amalgam of first chapters and short stories. Anne K. Edwards, author of many mysteries and children's books, and Mayra Calvani, a multi-genre author, were my cohorts in this project. Anne agreed to pull together the first version of the book, and I took it over after that to design a cover, insert cover art and author photo graphics, and to add links for purchases and other resources. 

When we finished, our publisher did her magic on it to turn it into a 1Meg pdf file. After that, we were on our own. But one of the incredible side effects that I hadn't even considered was the exploding ability for us to use THREE major networks to promote our work together. The symbiotic nature of this effort is huge. Each of us are veteran networkers and promoters. Each has massive lists of readers and fans. And with all three of us promoting at the same time, our book reached three times as many potential readers. 

Of course we're doing this to sell books. But the cool part is, we're also giving away something of value. All of the short stories offered within are fun and free. And that's a good thing!

We named our little book Literary Sampler: a potpourri of stories and first chapters, and you can download it by clicking on the link, the photo below, or going to www.legardemysteries.com/freestuff.htm. 

We'd love to hear back from our readers. Did you enjoy the stories? Did the first chapters or excerpts entice you? Did you like our cover art? Please email aaron.lazar@yahoo.com with comments and I'll forward your words to Anne and Mayra, as well. On parting, remember to take pleasure in the little things, and write like the wind!



DOUBLE FORTE' (2004)
UPSTAGED (2005)
TREMOLO: CRY OF THE LOON (2007)
MAZURKA (2009)
FIRESONG (2010)  

HEALEY'S CAVE (2010)
ONE POTATO, BLUE POTATO (2011)

Preditors&Editors Top 10 Finalist  *   Yolanda Renee's Top Ten Books 2008   *  MYSHELF Top Ten Reads 2008  * Writers' Digest Top 101 Website Award 2009 & 2010

www.legardemysteries.com
www.mooremysteries.com
www.murderby4.blogspot.com
www.aaronlazar.blogspot.com

.


- Aaron Paul Lazar



Sunday, July 25, 2010

Hi, folks.

For the past two weekends I've been either driving to or from our favorite rental cottage in the Adirondacks, so I apologize for being so quiet. We had a glorious week doing nothing. Well, not really nothing. I wrote 20,000 words in my newest mystery, read three great books, waded and floated in the river, cooked gourmet meals for me and my honey every night, and sat beside her at the river's edge for hours per day. Sometimes with coffee, sometimes with wine. Sometimes holding hands. Heh. Yep.

The whole week was incredibly restful, and I really liked no going anywhere, just communing with nature, my wife, and my muse. Perfect.

Anyway, since I don't have a writing article to share with you today, I thought I'd share some writing.

Imagine that?

Here's a short story I wrote for a contest (I didn't win, sob). Well, maybe it's because I usually don't DO short stories. I'm really a novel kind of guy.

Take that anyway you want. Ha.

- Aaron Paul Lazar



Resurrection

Red Cloud

He woke on a secluded grassy riverbank to the sound of water lapping the shore. Like colorful smelling salts, the sharp scent of oil paints woke him. He stood, brushing bits of grass and leaves from unfamiliar clothing. On his legs, rough woven fabric. On his feet, clumsy black shoes. His shirt billowed in the cold breeze, covered with smears of cobalt, green, and yellow ochre. With a start, he realized it was a white man’s artist smock.

Across the river, a setting sun winked on windows and gilded thatched roofs at the water’s edge. Noise from the shore drifted toward him in lazy snatches of conversation and bubbles of children’s laughter. The language was unfamiliar. Perhaps French? He’d heard some of these words in the hallways of the White House during his many visits to the Capitol.

Chimneys puffed thick blue spirals into the air, coloring the horizon with smudges of indigo, champagne pink, and soft orange. Before him stood an easel with a partially finished painting. Brushes lay strewn in the grass. Soft wet paint lay in globs on the palette he must have dropped when he passed out.

When I passed out? What happened?

He scrubbed at his face, closed and opened his eyes. Startled, he studied his hands. Ivory skin stretched over long sinewy fingers; blue veins popped out of the back of his hand. He turned them in the waning light.

What happened to my hand? My skin? Whose fingers are moving at my command?

A chubby sparrow hopped toward him, aiming for contents spilled from a tin bucket nearby. The grass beside it was matted, as if someone had lain there, resting in the winter sun for hours, maybe days. He crouched and peeled back corners of a linen napkin enclosing thick chunks of stale bread and a wedge of cheese. Black grapes nestled in a tin dipping cup.

Sudden thirst constricted his throat. He searched for a nearby well or a pump handle. Around him, colonies of trees and shrubs dotted the grassy field. In the far distance, a pink stucco house with green shutters shimmered in the late afternoon light. Somewhere in his brain, it looked familiar, yet strange.

Too shaky to make the trek to the house, he glanced down at the water. It ran clean and clear.

He grabbed the cup and stumbled to the riverbank, kneeling on soft black dirt. With a ragged swish, he filled it with chilled water and drank greedily as if he’d been wandering lost in the Sahara. Sweet and pure, it cleansed his parched tissues.

He jumped. What was that?

The sudden murmur of a crowd in an enclosed space. The pressing of shoulders against his. The rose petal scent of a white woman’s perfume.

He dashed another cup of water against his face, then poured yet another over the back of his neck. His hair—cut short—dripped water on the black fuzz that grew from his face. He stroked the long beard, fascinated by its wiry texture. Droplets ran from it and splashed into the river with impossible rhythm, mesmerizing him in the flashes of light that swirled below.

He tore his glance away from the river and looked toward the island downstream, riveted by the wavy lines of shadows leafless trees cast in the water. Consumed now, he hurried back to the easel, grabbing the palette and brushes. A splash of transparent amber paint kissed the water next to squiggles of shadows. A touch of mint green filled the sky behind the trees. With sure fingers, he dashed colors onto the canvas as if this were his every day task, racing to beat the sun that threatened to sink before he finished.

Movement caught his attention. There! In the distance, two boats floated past the isle. He grabbed another brush and dabbed black onto the purple-gray water. A few quick strokes mimicked their wavy shadows.

He jumped. Someone, some ghostly hand, touched his fingers. Was it a spirit from beyond? Had the spirits transported him to another realm? With a shudder, he stepped back and scanned the area. No one. Not a soul for miles.

What’s happening to me?

The sun, vibrant orange now, approached the tops of straw roofs, tinting the sky with rosy hues. He refocused on the canvas and slashed brilliant tangerine strokes across the image of water to mimic the sun’s reflection.

Shivering, he watched the sun fuse with the horizon. He swore he heard ice cubes clinking in a glass, and once again jerked around, looking for the source of the noise.

Nothing. No one. A group of wild turkeys squawked to his left, hurrying into the underbrush with waggling tail feathers. The Tom sported a feather that would have graced his headdress, had he the energy to give it chase.

His stomach rumbled. He sank to the grass, set his paints aside, and lay on the flattened grass. There would be time to untangle the mystery after he rested.

***

Claude

My head thudded hard on a marble floor. Crystal chandelier prisms swam before my eyes and people in ballroom dress thronged around him in the high-ceilinged room. Paintings lined the far hallway, hanging from gold chains secured high on red satin walls. Several guests ran to my side, faces crumpled with worry.

A silver-haired lady in a long black gown patted my hand. “Red Cloud? My dear! Are you all right?”

Although I spoke little English, my brain translated the words as if I’d been born in London. I stared into eyes the color of blue cornflowers. Thin circles of icy white rimmed the iris. Although she acted concerned, the woman’s eyes registered no warmth.

With a shiver, I sat up. “I’m fine. I think.” For a moment, the scene around me blurred. My riverbank shone through in rippled windows, as if vying for space in my mind. Yet the sound of birds singing, of water lapping the shore, and of the breeze rustling in the leaves soon disappeared, to be replaced by gold filigreed mirrors, marble statues, and waiters bearing silver trays with fluted glasses of bubbling champagne.

A man in a tuxedo touched my arm. “Mr. Red Cloud? May I interest you in a glass of champagne?”

Thirstier than I ever remembered, with a tongue that stuck to the roof of my mouth like sticky cotton batting, I reached for the glass, then pulled back when I saw the hand that stretched from me. Dark copper skin covered strong fingers. Beadwork trimmed a deerskin sleeve. A string of bear claws encircled my neck, hanging low on a tunic. I grabbed for the drink again and drained it quickly, nodding to the white-haired gentleman who held my elbow and looked with concern into my eyes.

“Better?”

“Yes, thank you.” My voice growled deep and rough. Familiar, yet unfamiliar.

What in God’s name is happening?

I shuffled toward a gold leaf mirror, afraid, yet hungry to learn more. A sharp angled face returned my gaze. High cheekbones. Long glossy black hair, falling well beyond my shoulders. Prominent nose. Straight, strong mouth. Eyes that bore into mine with iron grit.

With an excited intake of breath, I stared at my reflection. God in Heaven. I’m a savage!

I turned this way and that. Pinched my arm. Real pain. I exhaled, fogging the mirror. Pride and strength flowed from my eyes.

I’d expected confusion.

“Everything okay, Red Cloud?”

With deliberately slow motions, as if I needed to concentrate on the words, I answered. “Of course, Senator.” Senator?

“Come. I wanted you to see the Monet we have on exhibit. It’s quite valuable.”

I jumped when he said my name aloud.

He led me past hordes of men in tuxedos and women draped in jewels and furs. With great ceremony, the Senator ushered me downstairs through a long narrow corridor into a room flanked by two guards who stood at attention with rifles on their shoulders.

“Here we are. It’s entitled ‘Sunset on the Seine, Winter Effect, circa 1880’.”

Circa 1880? It is precisely 1880. But I haven’t finished this yet! I couldn’t drag my eyes away from the canvas. Before me were the strokes I’d forced while I languished on the riverbank, praying for solace. Camille had given birth to my son, Michel, and shortly thereafter succumbed to cancer. Since her death a year ago, I’d been unable to paint. Unable to socialize. Unable to eat and barely able to breathe.

A horse-faced woman decorated in emeralds appeared around the corner. The Senator’s brow wrinkled.

“Yes?”

“Senator? Can you spare a moment?”

The patrician turned back to me, rolled his eyes, and touched my shoulder. “I’ll leave you with the Monet. Stay as long as you like, Chief.”

My eyes raked across the painting, taking in the bold orange of the sun’s reflections rippling on the water. The touch of green behind the trees. The pastels fogging the horizon. Pride swept through me.

***

Red Cloud

After resting, he rose and blew into his cold hands. The river had turned dark and unfriendly. Deep purple whirlpools threatened and bubbled with what had to be evil spirits. Lights flickered on the opposite shore. Cooking aromas drifted over the water, sending pangs of hunger through him. With a sudden shiver, he collected the paints, brushes, and easel, and headed for the pink stucco house in the distance.

***

Antoine

When the Master came in and set his painting by the door, I sensed something amiss. I trotted from my place at the fireplace and shoved my muzzle into his dangling hand. With a start, I backed up and growled. Something was wrong.

He crouched and held a hand out to me. “Come, boy. It’s okay.”

Slowly, I crept toward his outstretched fingers. The scent of my master mixed with an unknown smell, that of wild prairie winds and open cooking fires. I wagged my tail, slowly at first. When my master’s hand touched my ear, I capitulated. He knew just how to scrub behind my ear where it itched. Wiggling all over now, I jumped up on him and licked his face.

“Whoa! Good boy, good dog. Get down, now.”

He picked up his painting and headed for the kitchen, from whence tantalizing smells tempted me all afternoon. The roast had been simmering in the black pot, smothered in vegetables, and fresh bread baked in the Dutch oven. But something was still off—my master walked with a different gait than his usual Steady and calm, it reminded me of a wild cat padding on soft grass.

The Mistress—the new one—smiled over her shoulder at him. “Monsieur. I’ve fed the children and sent them to bed early. I know you need your quiet time after a long day of painting.”

The Master looked disappointed.

This woman, whom the Master called ‘Alice,’ was the mother of six young hooligans who played with me in the nearby fields and gardens, especially in the summertime. When the old Mistress died a year ago, Alice moved in to help with the Master’s two boys. Eight children lived in our new home, and I loved each one.

The Mistress turned to my master with a frown. “Is something wrong?”

He set his still wet painting on the sideboard and dropped into a chair, rubbing his eyes. “No. Thank you. Just tired.”

She sat beside him and took his hand. Lately, her ministrations seemed more loving, and less sisterly. “My dear Claude.” She stroked the back of his hand and looked into his eyes. “How did it go?”

He stared at his painting, and refocused on her face. “Strange. I felt as if I’ve never been in this body before, as if I don’t know where or who I am, yet I was consumed by the scene. The reflections on the water, glistening green behind the stark trees, the wavy silhouettes of the dark tree shadows…”

She looked at the painting as if a lustrous silver angel perched on the shelf, blessing her by waving his soft-feathered wings. “Oh, my.” She moved closer. “You’re back.”

He looked at his hands. “I’m not sure. Something’s wrong with me. Very wrong.”

“It will take time, Monsieur. The loss of our dear Camille will pain you for a long time. Perhaps your entire life.” Her voice cracked, as if emotion swilled beneath the surface.

He looked at her as if he didn’t understand, then sighed and pulled his chair up to the table. “Thank you. But now. Let’s eat. That much I remember.”

***

Red Cloud

He woke in his own bed, a straw mat on the floor of his wooden hut, covered in colorful woven blankets and serenaded by birdsongs. His last memory had been at the Senator’s home in DC, where he represented his tribe with dignity and honor. The thoughts that crossed his mind were instantaneous. I have returned!

Had it been a dream guided by the spirits?

He stood and stretched, his long silky black hair tickling his bare back. Running a hand across his smooth chin, his lips spread in a wide grin. Yes. Only a dream.

His hut was perched a short distance away from the village, on a bare stream bank, very unlike the river in his vision. This wide clear creek sparkled turquoise in the prairie sun, shallow in its deepest section and pure as spring rain. Orange, yellow, and crimson slate rippled beneath the water, reflecting the new day’s energy.

He stood over the water, drinking in the morning, and finally stripped and knelt on one knee to wash and quench an almost unbearable thirst. With eyes closed and hands cupped, he scooped cool fresh water into his mouth and over his face, hands, and body, scrubbing away the strangeness of the recent illusion. Letting the strong sun dry the droplets, he stood and examined his copper brown skin.

With a start, he turned his hands over to stare. There, a patch of mint green. On his thumb, a smudge of vermillion. And on his wrist, streaks of pure white. He threw back his arms and raised them to the sky, asking the Great Spirit to help him understand. A warm breeze stirred over the streambed, calming him and lifting his long hair from his shoulders. When he received no further counsel, he redressed and headed back to his campfire to cook quail eggs for breakfast, with a sudden strong urge rattling in his head.

Maybe I’ll get a dog.

***

Claude

I came awake at the breakfast table, surrounded by eight noisy children and Alice. While the exchange of one day in my life with Chief Red Cloud was a puzzle, I knew it couldn’t have been a dream. How could I have dressed and been in the middle of a scrumptious bite of strawberry peach marmalade on a warm croissant if I’d just awakened? I sipped at my dark hot chocolate and beamed at my new extended family, who squabbled and stuffed their faces with equal enthusiasm.

The doubts I’d had over the last year about my ability to produce anything worthwhile on canvas had vanished. I’d seen my work displayed in a gold frame, hung in a fine home with guards to protect it. It had been revered, coveted. A strange situation, to be sure.

On the sideboard, the river scene beckoned. I studied it, realizing the green behind the trees was too faint; the black fishing boats needed to be emphasized. There was work to be done to make this version match the finished product I’d seen hanging on the red satin walls of the Senator’s palatial home.

Alice smiled at me from the stove. A tingle ran through my previously numb body. Could she? Would she? Am I as attractive to her as the bastard who had deserted her?

She rarely said an unkind word about the rogue, although my blood ran cold at the thought of him. Leaving six children and his wife behind to escape the hot flush of embarrassment from bankruptcy…there could be no greater evil.

Alice approached me, slid a fresh hot croissant onto my plate, and her clear eyes connected with mine. We held the glance for a few luscious seconds, and in minutes I was filled with the urge to paint. To paint, to never stop, to splash gorgeous colors on the canvas that mimicked and flattered reality. To paint for the memory of my Camille, of loves lost, and loves yet to flourish.

Ah, yes. I was back.

I thought of the Chief, and wondered what year he’d been transported from the gilded halls of Washington, DC. Had it been next year? Twenty years in my future? How long would it take my work to be known and beloved?

With a mental bow, I gestured to his fine spirit, wishing him clear vision and a long life. How it happened, I would never know. But I’d always be grateful to the tall proud man who had helped me relight my artistic spark.

I pecked a surprised Alice on the cheek, squeezed and hugged my eight children, scrubbed behind Antoine’s ears and received an enthusiastic tongue bath in return, and grabbed my easel. The early morning light was fading, and I needed to catch it before it disappeared forever.

The End




Red Cloud, inspiration for this story. And Monet, in his younger years....

***

Aaron Paul Lazar writes to soothe his soul. The author of LeGarde Mysteries and Moore Mysteries enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. For free excerpts, articles, beautiful photos, and recordings of the author reading aloud, visit his websites at www.legardemysteries.com and www.mooremysteries.com and join him on his collaborative blog: www.murderby4.blogspot.com.